Body · creativity · community

Transformation does not come from understanding a new story. It comes from embodying it.

A practice in which body, creativity and community open the possibility of an embodied transformation.

The proposal

Theatre as a space for revelation, integration and transformation.

Transpersonal Therapeutic Theatre —TTT— brings together theatre, bodywork and transpersonal psychology to make visible what had not yet found words.

The creative act does not only express who we are; it reveals who we are called to become.

The practice

What could not be said finds expression through gesture, relationship and form.

TTT does not interpret our experience from the outside. It creates the conditions to live it differently: allowing the body to speak, an image to become a character and a story to be transformed from within.

A person wearing a white mask holds a finger to their lips

Body and breath

The body opens a path to emotions, images and memories that cannot always be thought or explained.

Trust and collaboration

Games, listening and group dynamics create a safe space in which to risk a more authentic presence.

Masks, shadow and vulnerability

We recognise learned roles and rejected parts in order to relate to them without judgement or exclusion.

Archetypes and characters

Embodying other ways of being allows strengths, conflicts and possibilities that are still unconscious to emerge.

Play and improvisation

Pleasure, laughter and spontaneity return movement to what had become rigid or blocked.

Narrative and embodiment

Experience takes shape in scenes and actions that can support a new way of inhabiting life.

The process

A journey to listen, reveal and transform.

Each group follows its own rhythm. These three movements offer guidance, not a fixed script.

Three people exploring a scene in a theatre studio
01

Opening the space

Arriving in the body, slowing down and creating trust. Practice begins by undoing habitual gestures and relationships so that listening can become possible.

Presence · relaxation · energy · connection
02

Letting emerge

Through movement, breath, improvisation and archetypes, psychic material finds a voice and a body.

Shadow · emotion · character · creation
03

Giving form and embodying

What is revealed becomes a practice, a scene or a narrative. The process seeks to translate that experience into everyday life.

Integration · meaning · choice · action

The community that holds

Transformation becomes possible when our story finds a community able to hold it without judgement.

People forming a circle of trust on a theatre stage

What remained hidden for years can be seen without being reduced to a wound. The group offers a rare experience: allowing ourselves to be seen in our vulnerability and discovering that we still belong.

To be seen
with presence and without hasty interpretation.
To be held
by a framework of trust, care and clear boundaries.
To witness
the transformation of others and of oneself.

What can open

An experience for inhabiting oneself in a wider way.

Formats

Three ways to enter the experience.

No theatre experience is required. The proposal is open to adults and young people from the age of 16 who are interested in a deep process of self-knowledge and creation.

Intensive

A concentrated threshold of exploration.

Two or three days to enter the language of the body and creation, go through a complete experience and close with integration.

Rhythm
2/3 days
Duration
12/21 hours
Group
Intimate and cared for

Ritual theatre

Laboratory in nature

An immersive exploration of transformation and reconnection with nature through ritual theatre.

Rhythm
Immersion in the four elements
Duration
3 days
Group
Intimate and communal

Dates, venue and contribution will be announced for each new session.

Frequently asked questions

Before entering.

Do I need to know how to act?

No. Here theatre does not seek a perfect performance, but an honest expression. Curiosity and a willingness to play are enough.

Is it psychotherapy?

It is a group practice with a therapeutic and transpersonal orientation. It can complement a personal process, but does not replace psychotherapeutic or medical care when that is needed.

Do I have to tell my story to the group?

No. Each person decides how far to share. Many experiences can be explored symbolically, physically or fictionally, respecting one's own rhythm.

How do you ensure safety within the group?

Through clear agreements on confidentiality, consent and respect; a carefully paced progression; and enough time to integrate and bring each experience to a close.

Vegetation emerging from a crack in an old wall

An invitation

Every crack can become the threshold to a more authentic way of inhabiting life.

If this proposal resonates with you, you can approach it through an ongoing process, an intensive experience or a laboratory in nature.

Contact me
Alain Mullenex smiling in front of a bookcase

About me

Philosopher, transpersonal psychotherapist, dance therapist and trainer in social and therapeutic theatre.

Born in Japan to an English father and a Franco-Russian mother who was born in China, he is French and deeply shaped by intercultural experience and a desire to understand others.

For more than twenty years, he has accompanied individuals and communities with presence, creativity, compassion and humour.

Today

Researching, accompanying and sharing.

Trained in working with expanded states of consciousness, he is a professional member of the European Transpersonal Association (EUROTAS).

He brings theatre, movement and creativity into therapeutic work, accompanying individual and collective processes with groups and communities in vulnerable situations.

He currently works as a psychotherapist in private practice and develops the methodologies of Transpersonal Therapeutic Theatre and Somatic Transpersonal Therapy. He teaches and speaks internationally at humanistic psychology conferences.

He is co-founder of the Empagenia Centre for psychotherapy and consciousness research.

Discover my background

He grew up among a wide range of family spiritual traditions —Judaism, Catholicism, Protestantism, Russian Orthodoxy and Buddhism— and has explored shamanism through Mazatec and Lakota traditions.

His work is rooted in encounters with others, especially in Latin America, where he has supported communities affected by extreme violence. He has taught in schools and universities in France, Colombia, Peru, Chile, Uruguay, Spain and South Africa.

Theatre training

A path across disciplines and traditions.

He has trained with teachers and schools across a range of theatrical disciplines:

  • ImprovisationEscuela Keto de Sergio Paris
  • Therapeutic clownAlain Vigneau
  • Theatre and ConsciousnessAnna Sabaté
  • ActingCol·legi del Teatre
  • Theatre of the OppressedJordi Forcades
  • BouffonDavid García Coll
  • Laughter therapySalud Creativa
  • Ritual theatreHéctor Aristizábal